Grabado de Pérot, en Tissandier, Gaston, Les récréations scientifiques ou l’enseignement par le jeu. Paris:  G. Masson, 1884, cuarta edición, p. 126.

La mano y el ojo: Excavando una nueva tecnología de la imagen en la época victoriana

Tom Gunning, Trad. Ignacio Nicolás Albornoz Fariña

Resumen


Traducción al español del texto, originariamente en inglés, de Tom Gunning “Hand and Eye: Excavating a New Technology of the Image in the Victorian Era” en Victorian Studies, v. 54, n. 3, dossier especial, “Papers and Responses from the Ninth Annual Conference of the North American Victorian Studies Association”, 2012, pp. 495-516

Palabras clave: traducción, Tom Gunning, taumatropo, época victoriana, juguetes filosóficos

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Abstract: Spanish translation of Tom Gunning’s text “Hand and Eye: Excavating a New Technology of the Image in the Victorian Era” in Victorian Studies, v. 54, n. 3, dossier especial, “Papers and Responses from the Ninth Annual Conference of the North American Victorian Studies Association”, 2012, pp. 495-516

Keywords: translation, Tom Gunning, thaumatrope, Victorian era, philosophical toys

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Resumo: Tradução para o espanhol do texto em inglês de Tom Gunning “Hand and Eye: Excavating a New Technology of the Image in the Victorian Era” in Victorian Studies, v. 54, n. 3, dossier especial, “Papers and Responses from the Ninth Annual Conference of the North American Victorian Studies Association”, 2012, pp. 495-516.

Palavras-chave: tradução, Tom Gunning, taumatrópio, era vitoriana, brinquedos filosóficos

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Fecha de recepción: 21 de noviembre de 2025

Fecha de aceptación: 10 de diciembre de 2025

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ARK CAICYT:

https://id.caicyt.gov.ar/ark:/s24690767/g6ok2kb8c


Texto completo:

PDF

Referencias


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BARNES, John. Dr. Paris’s Thaumatrope or Wonder-Turner. Londres: Projection Box, 1995.

BREWSTER David. The Kaleidoscope, its History, Theory and Construction with its Application to the Fine and Useful Arts. Londres: John Murray, 1858.

_____. Patente AD 1817 no. 4136 (Caleidoscopio).

_____. Letters on Natural Magic Addressed to Sir Walter Scott. Londres: J. Murray, 1832.

BROWN, Richard y Barry Anthony. A Victorian Film Enterprise: A History of the British Mutoscope and Biograph Company 1897–1915. Trowbridge: Flick, 1999.

BUXTON, Harry. Memoir of the Life and Labours of the Late Charles Babbage Esq., F. R. S. Cambridge: MIT, 1988.

CASTLE, Terry. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford: Oxford UP, 1995.

CERAM, C. W. Archaeology of the Cinema. New York: Harcourt, 1965.

CRARY, Jonathan. Las técnicas del observador. Visión y modernidad en el siglo XIX. Trad. Fernando López García. Murcia: Cendeac, 2008.

DICKSON, William K. L. The Biograph in Battle: Its Story in the South Africa War. Madison: Fairleigh Dickinson UP, 1995.

DOANE, Mary Ann. “Movement and Scale: From Flipbook to the Cinema.” 2006, manuscrito.

DULAC Nicholas y André Gaudreault. “Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series”. En: Strauven, Wanda (ed.). The Cinema of Attractions Reloaded. Amsterdam: University of Amsterdam Press, 2006, pp. 227–44.

FRIZOT, Michel. La chronophotographie, avant le cinématographe: temps, photographie et mouvement autour de E.-J. Marey. Beaune: Association des Amis de Marey, 1984

GREGORY, Richard. Eye and Brain: The Psychology of Seeing. Londres: World University Library, 1997.

GUNNING, Tom. “The Play between Still and Moving Images: Nineteenth-Century ‘Philosophical Toys’ and their Discourse”. En: Rossaak, Eivind (ed.). Between Stillness and Motion: Film, Photography, Algorithms. Amsterdam: Amsterdam UP, 2011, pp. 31–34.

HERBERT Stephen y Luke McKernan (eds.). Who’s Who of Victorian Cinema. Londres: British Film Institute, 1996.

HUHTAMO, Erkki y Jussi Parikka (eds.). Media Archaeology: Approaches, Applications and Implications. Berkeley: University of California Press, 2011


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