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El cine temprano como cine global: La ambición enciclopédica

Tom Gunning, Trad. Riccardo Boglione, Georgina Torello

Resumen


Traducción del artículo de Tom Gunning “Early cinema as global cinema: The encyclopedic ambition” originalmente publicado en el volumen Early Cinema and the “National”, Richard Abel, Giorgio Bertellini y Rob King (eds.). New Barnet: John Libbey Publishing Ltd., 2008

Palabras clave: traducción, Tom Gunning, El cine temprano como cine global.

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Abstract: translation of the article “Early cinema as global cinema: The encyclopedic ambition” originally published in the volume Early Cinema and the “National”, Richard Abel, Giorgio Bertellini y Rob King (eds.). New Barnet: John Libbey Publishing Ltd., 2008

Keywords: translation, Tom Gunning, Early cinema as global cinema.

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Resumo: tradução do artigo "Early cinema as global cinema: The encyclopedic ambition” originalmente publicado em Early Cinema and the “National”, Richard Abel, Giorgio Bertellini y Rob King (eds.). New Barnet: John Libbey Publishing Ltd., 2008

Palavras-chave: tradução, Tom Gunning, Early cinema as global cinema.

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Fecha de recepción: 10 de noviembre de 2015  


Fecha de aceptación: 5 de diciembre de 2015


Texto completo:

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Referencias


BOUSQUET, Henri (ed.). Catalogue Pathé [1896-1914], 4 vols., Bassac: Editions Henri Bousquet, 1993-1996.

CURTIS, Scott. “The taste of a nation: Training and the sense and sensibility of cinema audiences on imperial Germany”, Film History , 6.4, 1994, pp. 445-469.

GRIFFITHS, Alison. Wondrous Difference: Cinema Anthropology and turn-of-the-Century Visual Culture. New York: Columbia University Press, 2001.

GUNNING, Tom. ‘Those that are Drawn with a Fine Camel Haired Brush’: The Origins of Film Genres”, Iris 20, otoño 1995, pp. 41-61.

______. “The World as Object Lesson: Cinema Audiences, Visual Culture and the St. Louis World’s Fair, 1904”, Film History 6.4, Invierno 1995, pp. 422-444.

KERN, Stephen. The Culture of Time and Space, 1880-1918. Cambridge: Harvard University Press, 1983, pp. 11-16.

MCNAMARA, Brooks. “Popular Scenography”, The Drama Review 61, marzo 1974, pp. 16-24.

MUSSER, Charles. “Before the Rapid Firing Kinetograph: Edison Film Production, Representation and Exploitation in the 1890’s”. En: Edison Motion Pictures 1890-1900, An Annotated Filmography. Washington, DC: Smithsonian Institution Press, 1997, pp. 43-45.

______. A Guide to motion picture catalogs by American producers and distributors, 1894-1908: a microfilm edition, Frederick, Maryland: University Publications of America, 1985.

O’MALLEY, Michael. Keeping Watch: A History of American Time. Washington, DC: Smithsonian Institution Press, 1990, pp. 99-143.

RITTAUD-HUTINET, Jacques (ed.). Auguste y Louis Lumière, Correspondances 1890–1953. Paris: Cahiers du Cinéma, 1994.

TATLA AMAD, Paula. “Archiving the everyday: a topos in French film history, 1895-1931”. Tesis doctoral, Universidad de Chicago, 2002.

WHISSEL, Kristin. “Placing the Spectator on the Scene of History: the battle re-enactment at the turn of the century, from Buffalo Bill’s Wild West to the Early Cinema”, Historical Journal of Film, Radio and Televisión, 22/23, 2002, pp. 225-243.


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