The Gay Shoe Clerk (Edwin S. Porter, 1903)

El cine de atracciones: Las primeras películas, su público y la vanguardia

Tom Gunning, Trad. Ignacio Albornoz

Resumen


Traducción al español del texto, originariamente en inglés, de Tom Gunning “The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde”, Wide Angle, vol. III, n. ¾, 1986, pp. 63-70.


Palabras clave: traducción, Tom Gunning, cine de los primeros tiempos, cine de atracciones, vanguardias

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The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde

Abstract: Spanish translation of  Tom Gunning´s text “The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde”, Wide Angle, vol. III, n. ¾, 1986, pp. 63-70.


Keywords: translation, Tom Gunning, early cinema, cinema of attraction, avant-garde.

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O cinema de atrações: Os primeiros filmes,  seu público e a vanguarda

Resumo: Tradução para o espanhol do texto em inglês de Tom Gunning “The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde”, Wide Angle, vol. III, n. ¾, 1986, pp. 63-70.

Palavras-chave: tradução, Tom Gunning, cinema dos inícios, cinema de atrações, vanguarda.

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Fecha de recepción: 5th April 2020
Fecha de aceptación: 16th October 2020


Texto completo:

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Referencias


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BARNA, Yon. Eisenstein. Bloomington: Indiana University Press, 1973.

DAVIS, Michael. The Exploitation of Pleasure. New York: Russel Sage Foundation, díptico del servicio de higiene infantil (Dept. of Child Hygiene), 1911.

EISENSTEIN, Sergei. “Montage of Attractions”, The Drama Review, n. 18, 1974, pp. 78-79.

____. “Cómo me hice director”. En: Gubern, Román (coord.). Reflexiones de un cineasta. Barcelona: Lumen, 1970, pp. 56-57.

FIELDING, Raymond. “Hale’s Tours: Ultrarealism in the Pre-1910 Motion Picture”. En: Fell, John L. (coord.). Film Before Griffith, Berkeley: University of California Press, 1983, pp. 116-30.

GUNNING, Tom. “The Non-Continuous Style of Early Film”. En: Holman, Roger (coord.). Cinema 1900-1906. Brussels: FIAF, 1982.

____. “An Unseen Energy Swallows Space: The Space in Early Film and its Relation to American Avant Garde Film”. En: Fell, John L. (coord.). Film Before Griffith. Berkeley: University of California Press, 1983, pp. 355-66.

LÉGER, Fernand. “A Critical Essay on the Plastic Qualities of Abel Gance’s Film The Wheel”. En: Fry, Edwards (coord.). Functions of Painting. Nueva York: Viking Press, 1973, pp. 20-23.

LEVY, David. “Edison Sales Policy and the Continuous Action Film 1904-1906”. En: Fell, John L. (coord.). Film Before Griffith. Berkeley: University of California Press, 1983, pp. 207-222.

MÉLIÈS, Georges. “Importance du scénario”. En: Sadoul, Georges (coord.). Georges Méliès. Paris: Seghers, 1961.

METZ, Christian. El significante imaginario: psicoanálisis y cine. Barcelona: Paidós, 2001.

MULVEY, Laura. “Visual Pleasure and Narrative Cinema”, Screen, vol. 16, n. 3, 1975, pp. 6-18.

MUSSER, Charles. “American Vitagraph 1897-1901”, Cinema Journal (University of Texas Press, Austin), vol. 22, n. 3, pp. 4-46.

“The Variety Theater 1913”. En: Appolonio, Umbro (coord.). Futurist Manifestos. New York: Viking Press, 1973.

VARDAC Nicholas. From Stage to Screen. Theatrical Method from Garrick to Griffith. Nueva York: Benjamin Blom, 1968.


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