The Gay Shoe Clerk (Edwin S. Porter, 1903)

El cine de atracciones: Las primeras películas, su público y la vanguardia

Tom Gunning, Trad. Ignacio Albornoz

Resumen


Traducción al español del texto, originariamente en inglés, de Tom Gunning “The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde”, Wide Angle, vol. III, n. ¾, 1986, pp. 63-70.


Palabras clave: traducción, Tom Gunning, cine de los primeros tiempos, cine de atracciones, vanguardias

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The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde

Abstract: Spanish translation of  Tom Gunning´s text “The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde”, Wide Angle, vol. III, n. ¾, 1986, pp. 63-70.


Keywords: translation, Tom Gunning, early cinema, cinema of attraction, avant-garde.

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O cinema de atrações: Os primeiros filmes,  seu público e a vanguarda

Resumo: Tradução para o espanhol do texto em inglês de Tom Gunning “The Cinema of Attraction: Early Film, its Spectator and the Avant-Garde”, Wide Angle, vol. III, n. ¾, 1986, pp. 63-70.

Palavras-chave: tradução, Tom Gunning, cinema dos inícios, cinema de atrações, vanguarda.

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Fecha de recepción: 5th April 2020
Fecha de aceptación: 16th October 2020


Texto completo:

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Referencias


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MÉLIÈS, Georges. “Importance du scénario”. En: Sadoul, Georges (coord.). Georges Méliès. Paris: Seghers, 1961.

METZ, Christian. El significante imaginario: psicoanálisis y cine. Barcelona: Paidós, 2001.

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MUSSER, Charles. “American Vitagraph 1897-1901”, Cinema Journal (University of Texas Press, Austin), vol. 22, n. 3, pp. 4-46.

“The Variety Theater 1913”. En: Appolonio, Umbro (coord.). Futurist Manifestos. New York: Viking Press, 1973.

VARDAC Nicholas. From Stage to Screen. Theatrical Method from Garrick to Griffith. Nueva York: Benjamin Blom, 1968.


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