Artistas trabajando bajo la dirección de Philippoteaux en The Battle of Gettysburg.

“Escalofríos en la espalda”: los panoramas y los orígenes de la recreación cinematográfica

Alison Griffiths, Trad. Pamela Gionco, Lesly Peterlini

Resumen


Traducción al español del texto, originariamente en inglés, de Alison Griffiths “'Shivers down your spine': panoramas and the origins of the cinematic reenactment”, Screen, vol. 44, n.1, 2003, pp. 1-37.

Palabras clave: traducción, Alison Griffiths, panoramas, recreación cinematográfica, cine silente

___________


Shivers down your spine”: panoramas and the origins of the cinematic reenactment

Abstract: Spanish translation of Alison Griffiths’ text “'Shivers down your spine': panoramas and the origins of the cinematic reenactment”, Screen, vol. 44, n.1, 2003, pp. 1-37.

Keywords: translation, Alison Griffiths, panoramas, cinematic reenactment, early cinema

___________


Arrepios na espinha”: panoramas e as origens da reconstituição cinematográfica

Resumo: Tradução para o espanhol do texto em inglês de Alison Griffiths'Shivers down your spine': panoramas and the origins of the cinematic reenactment”, Screen, vol. 44, n.1, 2003, pp. 1-37.

Palavras-chave: tradução, Alison Griffiths, panoramas, reconstituição cinematográfica, cinema dos inícios.

___________


Fecha de recepción: 11 de octubre de 2020

Fecha de aceptación: 19 de diciembre de 2020


Texto completo:

PDF

Referencias


ALTICK, Richard. The Shows of London, Harvard, MA: Belknap Press of Harvard University Press, 1978.

ANDREWS, Herbert C. “The Leicester Square and Strand panoramas: their proprietors and artists”, Notes and Queries, vol. 159, n. 4-5, 26 de julio de 1930, pp. 57-61.

ARRINGTON, Joseph Earl. “The story of Stockwell´s panorama”, Minnesota History, vol. 33, n. 7, 1953, pp. 284-290.

____. “John Banvard’s moving panorama of the Mississippi, Missouri, and Ohio Rivers”, The Filson Club Historical Quarterly, vol. 32, n. 3, 1958, pp. 207-240. Disponible en: [Acceso 16 de diciembre de 2020].

____. “William Burr´s moving panorama of the Great Lakes, The Niagara, St. Lawrence and Saguenay Rivers”, Ontario History, vol. 51, n. 3, 1959, pp. 141-162.

AVERY, Kevin J. “Movies for manifest destiny: the moving panorama phenomenon in America”. En: The Grand Moving Panorama of Pilgrim's Progress [catálogo de exhibición]. Montclair, N.J.: Montclair Art Museum, 1999.

BAL, Mieke. Reading Rembrandt: Beyond the Word-Image Opposition. New York: Cambridge University Press, 1991.

BAUDELAIRE, Charles. “The Salon of 1845“, Selected writings on art and literature, (transcripción y edición P. E. Charvet). Harmondsworth: Penguin, 1992. [Hay traducción al español: Baudelaire, Charles. Salones y otros escritos sobre arte, Madrid: Visor, 2005].

BAZIN, André. “The myth of total cinema”. En: Gray, Hugh (ed.). What is cinema? Berkerley, CA: University of California Press, 1967. [Hay traducción al español: Bazin, André. “El mito del cine total”, ¿Qué es el cine? Madrid: Rialp, 2006].

BECKETT, Ronald Brymer (ed.). John Constable’s correspondence. Volume II: early friends and María Bicknell (Mrs. Constable). S.d.: Suffock Records Society, 1964.

BORN, Wolfgang. “The panoramic landscape as an American form”, Art in America, vol. 36, n. 1, enero de 1948, pp. 3-10.

____. American landscape painting: an interpretation. Westport, MA: Greenwood Press, 1970 (1948).

CAHN, Iris “The changing landscape of modernity: early film and America's ‘great picture’ tradition”, Wide Angle, vol. 18, n. 3, 1996, pp. 85-100.

CERAM, C.W. Archaeology of the Cinema. Londres: Thames and Hudson, 1965. [Hay traducción al español: Ceram, C. W. Arqueología del cine. Barcelona: Editorial Destino, 1965]

DAHL, Curtis. “Artemus Ward: comic panoramist”, The New England Quarterly, vol. 32, n. 4, diciembre 1959. pp. 476-485.

DAVIS, Theodore R. “How a great battle panorama is made”, St. Nicholas, vol. 14, diciembre 1886, pp 99-112. Disponible en: https://ufdc.ufl.edu/UF00065513/00179/21j [Acceso: 15 de diciembre de 2020].

ERNST, Bruno. “Perspective and Illusion”. En: van Eekelen, Yvonne (dir.). The magical panorama: the Mesdag Panorama, an experience in space and time. Zwolle, La Haya: Waanders Uitgevers, BV Panorama Mesdag, 1996.

FRUITEMA, Evelyn J. & Paul A. Zoetmulder. The panorama phenomenon. Mesdag Panorama 1881-1981. La Haya: Foundation for the Preservation of the Centenarian Mesdag Panorama, 1981

GALLAGHER, Jean. The World Wars through the female gaze. Carbondale, IL. Southern Illinois University Press, 1998.

GORKY, Maxim. “The kingdom of shadows“ [Originalmente publicado en: Nizhegorodsky Listok, 4 de Julio de 1896 (firmado I.M. Pacatus). En: Leyda, Jay. Kino: a history of Russian and Soviet film, Londres: Allen & Unwin, 1960. [Hay traducción en español: LEYDA, Jay. Kino. Historia del cine ruso y soviético. Buenos Aires: EUdeBA - Editorial Universitaria de Buenos Aires, 1965].

GRIFFITHS, Alison. “‘The largest picture ever executed by man’: panoramas and the emergence of large-screen and 360-degree internet technologies”. En: Fullerton, John (ed.), Screen culture: history and textuality, Eastleigh, John Libbey Press, 2004, pp. 199-220.

____. Wondrous Difference: Cinema, Anthropology and Turn-of-the-Century Visual Culture. New York: Columbia University Press, 2002.

HANNERS, John. The adventures of an artist: John Banvard (1815-1891) and his Mississippi panorama. Tesis de Doctorado, Michigan State University, 1979.

HAYES, R.M. 3-D Movies: a History and Filmography of Stereoscopic Cinema. Jefferson, NC: MacFarland and Co., 1998.

HEILBRON, Bertha L. “Making a motion picture in 1848: Henry Lewis on the Upper Mississippi”, Minnesota History, vol. 17, n. 2, 1936, pp. 131-149 Disponible en: https://digital.shsmo.org/digital/collection/mhr/id/13205/rec/2 [Acceso: 13 de diciembre de 2020]

HYDE, Ralph. Panoramania! The art and entertainment of the “all-embracing” view. [Catálogo de exhibición en Barbican Art Gallery, del 3 de noviembre de 1988 al 15 de enero de 1989]. Londres: Trefoil Publications, 1988.

KERR, Paul et al. The Crimean War. Londres: Boxtree Press, 1998.

LYONS, Lisa. “Panorama of the monumental grandeur of the Mississippi Valley“, Design Quarterly, n. 101-102, 1976. pp. 32-34.

MARGULIES, Ivone. “Exemplary bodies: Reenactment in Love in the City, Sons, and Close-Up”. En: Margulies, Ivone (ed.), Rites of Realism: Essays on Corporeal Cinema. Durham, NC: Duke University Press, 2003, pp. 217-244.

MCDERMOTT, John Francis. The Lost Panoramas of The Mississippi. Chicago, IL: University of Chicago Press, 1958.

____, “Gold rush movies”, California Historical Society Quarterly, vol. 33, n. 1, marzo 1954. pp. 29-38. DOI: https://doi.org/10.2307/25156467.

MEISEL, Martin. Realizations: Narrative, Pictorial and Theatrical Arts in Nineteenth-Century England. Princeton, MA: Princeton University Press, 1983.

MILLER, Angela. “The panorama, the cinema and the emergence of the spectacular”, Wide Angle, vol. 18, n. 2, 1996, pp. 34-69.

MONTCLAIR ART MUSEUM, Portland Museum of Art y Edwin A. Ulrich Museum of Art. The Grand Moving Panorama of Pilgrim's Progress. [Catálogo de exhibición]. Montclair, N.J.: Montclair Art Museum, 1999.

NEWMAN, Estelle V. “The Story of Banvard´s folly”, Long island Forum, vol. 15, n. 5, mayo 1952, pp. 83-84, 95-97

OETTERMANN, Stephan. The Panorama: History of a Mass Medium. New York: Zone Books, 1997.

ONNES FRUITEMA, Evelyn J. “Of panoramas old and new”. En: van Eekelen, Yvonne (dir.). The magical panorama: the Mesdag Panorama, an experience in space and time. Zwolle, La Haya: Waanders Uitgevers, BV Panorama Mesdag, 1996. pp. 27-35.

PARET, Peter. Imagined Battles: Reflections of War in European Art. Chapel Hill, NC: University of North Carolina Press, 1997.

PARRY, Lee. “Landscape Theater in America”, Art in America, vol. 59, n. 6, diciembre de 1971, pp. 52-61.

SCHMITZ, Marie L. “Henry Lewis: panorama maker”, Gateway Heritage: Quarterly Journal of the Missouri Historical Society, vol. 3, invierno 1982-83, pp. 36-48.

SCHWARTZ, Vanessa R. Spectacular Realities: Early Mass Culture in Fin-de-Siècle France. Berkeley, CA: University of California Press, 1998.

TELBIN, W. “The painting of panoramas”, The Magazine of Art, vol. 24, enero de 1900, pp. 555-558.

VAN EEKELEN, Yvonne (ed.) The magical panorama: the Mesdag Panorama, an experience in space and time. Zwolle, La Haya: Waanders Uitgevers, BV Panorama Mesdag, 1996.

____. “The magical panorama”. En: van Eekelen, Yvonne (ed.) The magical panorama: the Mesdag Panorama, an experience in space and time. La Haya: Waanders Uitgevers, BV Panorama Mesdag, 1996. pp. 11-25.

Webster's new collegiate dictionary, Springfield, MA: G & C Merriam, 1977.

WOLLHEIM, Richard. “What the spectator sees”. En: Bryson, Norman, Michael Ann Holly y Keith Moxey (eds.), Visual Theory: Painting and Interpretation. New York: Harper Collins, 1991. pp. 101-150.


Enlaces refback

  • No hay ningún enlace refback.


Copyright (c) 2020

Vivomatografías. Revista de estudios sobre precine y cine silente en Latinoamérica es una publicación de la Asociación de Estudios sobre Precine y Cine Silente Latinoamericano (PRECILA)

Esta revista se encuentra indexada en:

 

 

 

     

 

 

    

 

  


Síganos en:


         

 

Usamos: